Choose proof that matches this buyer

You will be able to pick case studies and references that match the buyer's situation and place them where they count.

You are halfway through a presentation and it is going well. The buyer has agreed with your summary of their situation and nodded at the first part of your solution. Then you reach the slide with twelve client logos: two banks, an airline, a hospital group and a row of names they half recognise. The buyer, who runs two cafes, looks at it politely and says nothing. You move on, and the energy in the room drops a little.

The logos were real and the clients were happy. The problem is that none of them looked anything like the person across the table, so the slide answered a question the buyer was not asking.

Proof is a match, not a trophy

When buyers look at a case study or a reference, they are asking one question: did this work for someone like me? If the answer is yes, the proof lowers their sense of risk. If the answer is no, it does very little, however famous the name.

So proof works when the client in it resembles this buyer in three ways. Size, because a solution that suits a firm of two hundred may be too heavy for a firm of twelve. Situation, because a buyer in the middle of opening a second outlet faces different pressures from one closing a branch. And problem, because a story about saving money means little to someone whose real worry is staff leaving.

Think back to Priya, the freelance bookkeeper from the Discovery course, and Joel, who runs two cafes in Tiong Bahru. Joel's problems were Sunday nights lost to the books and not trusting that the tills matched the sales. Priya has worked for a law firm, a property agency and a bakery with three outlets. The law firm is her most impressive client. The bakery is the one that matters, because the owner had the same multi-outlet till problem Joel has. One bakery story, told well, does more for Joel than the other two combined.

Put proof next to the claim it supports

Many presentations save the proof for a block at the end: the case studies section, then the testimonials, then the client list. By then the buyer has forgotten which claim each story was meant to back up.

Proof does its work when it arrives right after the solution part it supports. The buyer has just heard what you would do. A question forms in their head: would that really work? That is the moment to answer it.

Here is how Priya places hers. After she shows Joel how a weekly till reconciliation would work for both outlets, she says: "I set up the same weekly check for a bakery with three outlets last year. For the first two months it found small gaps every week. By month three the gaps had stopped, because the staff knew someone was looking." Then she moves to the next problem.

Notice what she did not do. She did not claim the method works for everyone, and she did not invent a percentage. She told one true story, in plain words, about a client close to Joel, at the moment Joel needed it.

Real cases, with permission

There are three rules here, and none of them bend.

Use real cases only. If you have no client that matches, say so and offer something honest instead, such as a short trial or a description of how you would approach it. A made-up case may hold up in the meeting. It falls apart when the buyer asks to speak to the client.

Get permission before you name a client or share their details. Many businesses are happy to be a reference, but they want to be asked, and some contracts forbid it. Where you have no permission, describe the client without naming them: "a bakery with three outlets in the east." Personal data in a case study also falls under the PDPA, which the Prospecting course covers in lesson 5.2, PDPA basics for prospecting: consent, purpose and records.

Never merge clients into one story. It is tempting to take the speed from one project and the savings from another and present them as a single neat result. That is a fabrication, and if the buyer checks, you lose the deal and your name with it.

One good match beats five logos

A buyer can only absorb so much proof. Five impressive examples that look nothing like them blur together. One matched example sticks, because they can picture themselves in it.

Hafiz, who sells payroll software, learned this with Rachel, the operations manager at a logistics firm in Tuas. His standard deck had a slide of large retail clients. For Rachel he replaced it with one story about a transport company with shift workers and overtime disputes, a firm of similar size whose operations manager agreed to take a call. Rachel asked for the number before the meeting ended.

If you sell to individuals rather than firms, the same logic holds. A financial adviser meeting a young couple buying their first HDB flat does better with a story about another couple at that stage, told with permission and without personal details, than with a list of awards. The proof should look like the buyer's own life.

Keep a short list of your best matched cases, sorted by the kind of buyer each one fits, so you can choose quickly before each meeting.

Before the activity, open your notes for one live opportunity and reread the problems the buyer confirmed. The proof you choose should answer the question each of those problems raises.

For one live opportunity, pick the two pieces of proof that best match the buyer and write which solution part each one supports.

Course

Junxiong-WFG Organisation is an authorised representative of AIA Financial Advisers Private Limited (Reg. No. 201715016G).